© Lartiguestudios legal address 483 green lanes, london N13 4BS
2 studios
Pro Tools HDX, HD and Native (5 systèmes); Logic Pro
Apogee Symphony x 2, Avid 192 x 2, 96, MOTU, Focusrite interfaces
Micros: Neumann (149,U87,U87Ai,147, tlm193,102,184),
AKG C12vr, 414eb, 414Buls,451 x2, c1000,d190 x 2, D12, D112), Peluso U47 clone, Sennheiser (421 x 3, 441), Electrovoice RE20, Shure 57 (x2) 58 (x2), Audio-Technica 4033, 2050 (x2), 2020 (x2), Blue baby bottle, Blue bluebird, Rode K1, Lewitt 240 (x 2),Lewitt 140, Avantone stereo ck40, Royer 122, Beyer 160 & 130 rubans, PZM (2)
Pres: Neve 1073DPX (x2), Neve 1073 (x4), Neve portico (x2) , SSL (x28), Grace Design, Focusrite (Isa,Green (x2),Saffire (x8),C24 (x32), Tubetech MP1(x2), SPL Goldmike (x2) Universal Audio LA610, JL Cooper, Soundtracs (x32),Sony (x24)
Mixage: SSL AWS (32 voies), SSL Matrix (40), SSL 9000 (8) & 6000 (8), SSL X desk (20), Control 24 x 2, Sony DMX100 (32), Soundtracs (32)
Traitement de son analogique: Tubetech cl1b; Neve 33609, Universal Audio LA3A, LA610, Summit TL100, Summit DCL200, KT LA2A, Urei 1176, KT1176, Distressor, DBX 160x (x2), SSL G bus compressors (2), Drawmer 221,LX30 (2), TL Electronic & Focusrite multiband compressors, Focusrite green compressor,Drawmer 201 gates.
Effets: Lexicon (300, PCM90, PCM80, PCM 70, MPX1,MPX100, Reflex), Eventide Harmoniser 3000, Aphex exciter, SPL Vitaliser & Transient designer, Korg & Yamaha delays
EQ: Focusrite Red 2 equaliser, Clariphonic Equaliser,Yamaha graphic; Warm & KT Pultecs
Plugins de tous les compresseurs et egaliseurs principaux.
Monitoring: ATC Scm 25A, Quested 3208, Genelec 1031, APS 2020, Tannoy Litte Reds,Yamaha NS10, Adam T7, Avantone
Mixage individuel pour les musiciens avec tables Yamaha et Studiomaster.
Casques Beyer 770, DT100, DT150, Sony mdr 2506, Sennheiser, AT
Instruments:
Yamaha C3 baby grand piano,
Gibson Les Paul & SG, Fender Stratocaster, Rickenbacker,Takamine guitares
Roland, Akai, Alesis,Yamaha, claviers et boitiers, M audio 88 stage piano
Sansamp, amplis Fender & Marshall, ampli basse Laney;
Batterie Tama,Sonor, Zildjian
Apogee Symphony x 2, Avid 192 x 2, 96, MOTU, Focusrite interfaces
Micros: Neumann (149,U87,U87Ai,147, tlm193,102,184),
AKG C12vr, 414eb, 414Buls,451 x2, c1000,d190 x 2, D12, D112), Peluso U47 clone, Sennheiser (421 x 3, 441), Electrovoice RE20, Shure 57 (x2) 58 (x2), Audio-Technica 4033, 2050 (x2), 2020 (x2), Blue baby bottle, Blue bluebird, Rode K1, Lewitt 240 (x 2),Lewitt 140, Avantone stereo ck40, Royer 122, Beyer 160 & 130 rubans, PZM (2)
Pres: Neve 1073DPX (x2), Neve 1073 (x4), Neve portico (x2) , SSL (x28), Grace Design, Focusrite (Isa,Green (x2),Saffire (x8),C24 (x32), Tubetech MP1(x2), SPL Goldmike (x2) Universal Audio LA610, JL Cooper, Soundtracs (x32),Sony (x24)
Mixage: SSL AWS (32 voies), SSL Matrix (40), SSL 9000 (8) & 6000 (8), SSL X desk (20), Control 24 x 2, Sony DMX100 (32), Soundtracs (32)
Traitement de son analogique: Tubetech cl1b; Neve 33609, Universal Audio LA3A, LA610, Summit TL100, Summit DCL200, KT LA2A, Urei 1176, KT1176, Distressor, DBX 160x (x2), SSL G bus compressors (2), Drawmer 221,LX30 (2), TL Electronic & Focusrite multiband compressors, Focusrite green compressor,Drawmer 201 gates.
Effets: Lexicon (300, PCM90, PCM80, PCM 70, MPX1,MPX100, Reflex), Eventide Harmoniser 3000, Aphex exciter, SPL Vitaliser & Transient designer, Korg & Yamaha delays
EQ: Focusrite Red 2 equaliser, Clariphonic Equaliser,Yamaha graphic; Warm & KT Pultecs
Plugins de tous les compresseurs et egaliseurs principaux.
Enregistreur multipiste analogique vintage Fostex B16
Mixage individuel pour les musiciens avec tables Yamaha et Studiomaster.
Casques Beyer 770, DT100, DT150, Sony mdr 2506, Sennheiser, AT
Instruments:
Yamaha C3 baby grand piano,
Gibson Les Paul & SG, Fender Stratocaster, Rickenbacker,Takamine guitares
Roland, Akai, Alesis,Yamaha, claviers et boitiers, M audio 88 stage piano
Sansamp, amplis Fender & Marshall, ampli basse Laney;
Batterie Tama,Sonor, Zildjian
